Silence, in the desert, is a place in Miraj is stillness. Silence is an attitude to the universe. Silence is an asceticism in the use of the only muscle, which permeates the virginity of a universe, who is new to formation, and bleeds, by doing it, the universe. Silence is an attempt to control the activity of this genie, in the hope of restoring a lost paradise, thanks to existence, which is: stillness. Because stillness is the result of equanimity, a equanimity that is in fact inviolable, according to the deal of the covenant concluded between two intimate consorts, namely time and space, so that the presence dominates, not in the dimension of existence, but in the lost dimension; Muzzling the voice is the only measure to restore the lost paradise, because the sound, as a literal music, is a distortion, a clown, a blasphemy that defiles the innocence of the other music, the occult, the eternal music, in which two couples, time and space, are associated, with which the place is equal in the lost dimension, to practice secrets.

The lust for words is a sin, as long as those who speak do not know, and those who know do not speak, as the Thao religions incite, because fasting from rapture is a virtue, as evidence that compliance with hearing is transcendent. Hearing is a first step on the road to liberation from the curse of moonshine and salvation. This is while the shajn takes the reins, because it is the secret presto, which does not recognize the authority of the tongue as a religion, so it is addicted to the opium of secrets, conditioned by the presence in stillness, haunted by the music of the strings, to generate, in the impossible, inspiration: inspiration translated in the letter of prophecy, to achieve, by the alienation of spoken logic, hearing. It is worth pausing here, to reflect on what it means to hear. Hearing is not only an essential metaphor, but also a literal, because the eye in Arabic is a miniature hamza, so that we discover that the verb "hear" is nothing but "Sama", that is, belonging to a greater dimension, which has become in languages an argument for defilement from the filth of the asafel, which is belonging to heaven, as the repository in everything that has nothing to do with acquiring holiness. The importance of hearing here is in its ability to suppress the activity of the poisoned muscle, which is called in our gibberish tongue, because the commandment now discovered says: "He who speaks does not hear, and he who hears does not speak". That is, hearing is the limitation of the power of the tongue over worldly reality, a prelude to the practice of the ritual of hearing, which here will be nothing but eavesdropping, to invoke revelation. It is a form of espionage, legitimate to climb to the top, borrowing its legitimacy from the necessity of freedom from all that has nothing to do with the inferiority, and to go to the houses of salvation, proposed by traveling in Mi'raj. In this journey, the naughty muscle ceases to exercise its misleading role, so that the ear assumes the role of mediator in attracting inspiration, to penetrate into the conscience of the disciple, who is stationed in the isthmus, waiting for the gift of the ulna, but the argument of the ulna, broadcast in the flash of sparks, which is born, after fatal bleeding, like a remote melody, in a chord of a melody, which is not equal to the meeting of a dream, except in a resurrection dimension, which is, in the end, a formula of rebirth. Milad is the herald of freedom, a freedom that came down from the womb of migration, born in the identity of prophecy, accompanied this time by the bleeding of the soul, so that the truth may shine throughout, so that emptiness dissipates from reality, to dominate, in solitude, fullness.

The desert, literally, is a vacuum, but in the lesson of migration, it is fullness.