[Reporter Xiao Fangqi/Taipei Report] Chen Yalan had a heart problem due to overwork. After wearing a heart rhythm tracker, she went for a comprehensive checkup. She was invited to give a lecture at the Taiwan Normal University Arlo Life Festival yesterday. She was asked about her heart condition. She said that when the heart examination report came out, the doctor mentioned that it was "arrhythmia". Because the schedule was too busy, too tired, and the pressure was too great, she took the medicine on time according to the doctor's advice. She has been taking medicine for about 20 days now, and her body is fine. It's just that you can't be too tired, and you can't arrange too many things.

During her speech, she shared her thoughts on being the king of the Golden Bell Opera. She said: "It is much more difficult for a girl to pretend to be a boy than for a boy to pretend to be a boy!" Man, this proves that "If you put in the effort, you will be seen."

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Chen Yalan shared her journey of playing Xiaosheng in Gezai Opera.

(Provided by National Taiwan Normal University)

The handsome Chen Yalan played Xiaodan (young woman) at the beginning, and her height often stood out from the crowd; later, the Xiaosheng (young male) in the troupe was about to leave, and at the age of 18, she had to take the lead urgently. Never leave the stage again.

In order to play Xiaosheng well, she has put in a lot of hard work, practicing appearance, figure, singing, and body language to make herself more masculine than men.

When she grew up, she was picked up by "Yang Lihua Gezi Opera Troupe" and joined the lineup of the highest-rated program in the country at that time. She had to learn from the beginning again. Chen Yalan described it as "jumping from the bottom of the well to the shore and seeing a big world".

Because the familiar wild stage drama in the past is different from the performance language of the TV frame, Yang Lihua reminded her that the eyes and movements should not be so exaggerated. The TV often has close-ups of the eyes, and "the DNA of the Yang school is more realistic and natural." In addition, audiences of Gezai opera like to watch the male and female protagonists play against each other the most. The most important and difficult part of playing Xiaosheng is the eyes. The heroine should not feel that she is playing against another woman, so that she can enter the play.

She laughed and said, "There are 30 or 60 episodes of TV series, you have to grasp every expression and movement at all times, and you can't show the coquettishness of a woman; although I'm not to the level of coquettishness, I'm still a girl."

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