[Reporter Xiao Fangqi/Taipei Report] The PTV era life drama "Ox Cart Comes and Goes" starring An Xinya, Cai Changxian, Yang Lie and others, last Saturday, PTV aired the highest ratings of 1.02, and the highest point was Yang Lie, Yang Ziyi and his son The two had a conflict scene. In the play, Yang Lie changed Yang Ziyi's Japanese name, glared straight at him and said, "Are you planning to forget your roots now?" and replied in standard Japanese, "As long as I haven't closed my eyes, I won't allow it." He also scolded his son as a "bastard", and his domineering performance was very eye-catching. Coupled with Yang Lie's sonorous and forceful tone, netizens called "Yang Lie is so good".

Yang Lie scolded his son in the play.

(Provided by PTV)

"Bull Cart" also reflects the conflict between father and son and the entanglement of national identity under Japanese rule.

Yang Ziyi, who played the son, asked her father: "Aren't you contradicting this? Since you are so anti-Japanese, why did you send me to study Japanese? And let me go to Imperial University to study medicine?"

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Yang Ziyi (second from left) was reprimanded by Yang Lie (right) for changing her Japanese name. Mi Kebai (left) and her mother Gao Xinxin were by her side.

(Provided by PTV)

Yang Lie, who hoped for his son to become a dragon, lamented, "We Taiwanese have no choice but to study medicine and agriculture. At least you can help Taiwanese people see a doctor if you become a doctor." He even snatched his son's Japanese name stamp and threw it into the charcoal stove burn it.

Netizens also felt sorry for the highly educated Yang Ziyi in the play, and said bluntly, "Bowen was also influenced by the imperialization movement."

Xiao Jinghong (left) and An Xinya met the heroine "Big Mu Boy" for the first time in the play.

(Provided by PTV)

In addition, in the "Ox Cart" "Nisheng" Xiao Jinghong became sick from overwork and finally passed away on the bullock cart on the way home. Saying goodbye, at the end Xiao Jinghong said "Ah Chun, I'm going back", and An Xinya cried bitterly holding the relic "Cowbell", which was the tear-absorbing part in the play.

The audience lamented that "life is the most painful parting between life and death".

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